*1953 New York, lives and works in New York City.

1975 BA, Bard College, Annandale-on-Hudson, New York

STIPENDIEN & PREISE / GRANTS & AWARDS
2013 The Norbert Prangenberg Artist in Residence, Rutgers University, Newark, NJ
2010 Artist in Residence, CCA Andratx Art Center, Andratx Mallorca, Spain
2009 Joan Mitchell Foundation Grant, New York
2007 Artist in Residence, The Chinati Foundation, Marfa, Texas
2005 Artist in Residence, Greenwich House Pottery, New York
2004 The Pollock-Krasner Foundation, Inc. Grant
Finalist/First Alternate, The Richard C. Diebenkorn Teaching Fellowship, San Francisco
Art Institute
2003 Michael and Nina Sundell Residency for a Visual Artist, Yaddo
Skowhegan School of Painting and Sculpture, Faculty/Resident Artist
Rockefeller Foundation, Bellagio Study and Conference Center, Bellagio, Italy
2001 Special Editions Fellow, Lower East Side Printshop, New York
Artists Residency, Yaddo
John Simon Guggenheim Memorial Foundation Grant
1996 New York State Foundation for the Arts (NYFA) Fellowship in Painting

EINZELAUSSTELLUNGEN / SOLO EXHIBITIONS
2017
Nicolas Krupp, Basel, Switzerland
Frieze Focus: Rachel Uffner Gallery, solo-show at Frieze New York 2017, Randall’s Island, US
EVERYTHING IS PERFECT IN ALL WAYS, VAN HORN, Düsseldorf, DE
2016
Joanne Greenbaum: New Paintings and Sculptures, Rachel Uffner Gallery, New York, USA
2013
Sidewalk Prison – Joanne Greembaum, VAN HORN, Düsseldorf, Germany
2012
Nicolas Krupp, Basel
Joanne Greenbaum, Shane Campbell Gallery, Chicago
2011
1612, D’Amelio Terras, New York
2010
Dirt Bag, CCA Andratx, Mallorca, Spain
Drawings, Rupert Goldsworthy, Berlin, Germany
Random Returns, Schürmann Collection Berlin-Mitte, Berlin, Germany
2009
Hollywood Squares, D’Amelio Terras, New York
Cologne Art Fair, Cologne, Germany
2008
Baloise Art Forum, Basel
Nicolas Krupp, Basel
greengrassi, London
Museum Abteiberg, Monchengladbach, Germany
Haus Konstruktiv, Zürich, Switzerland
Saatchi Gallery, London
2007
The Chinati Foundation, Marfa, Texas
Boom/Shane Campbell, Chicago
2006
D’Amelio Terras Gallery, New York
Patrick de Brock, Knokke, Belgium
2005
greengrassi, London
Galerie Nicolas Krupp, Basel
Aurobora Press, San Francisco

2004
Boom, Shane Campbell, Chicago
2003
D’Amelio Terras, New York
K.S. Art, New York
2002
Numark Gallery, Washington, DC
2001
Galerie Nicolas Krupp, Basel
greengrassi, London, UK, with Mary Heilmann
D’Amelio Terras, New York
1999
greengrassi, London
1998
D’Amelio Terras, New York
1997
D’Amelio Terras, New York
1996
Arena Gallery, New York

AUSWAHL GRUPPENAUSSTELLUNGEN / SELECTED GROUP EXHIBITIONS
2017
We Might Not Have a Planet Left Soon, Galerie Kornfeld, Berlin, Germany (upcoming)
The State of New York Painting: Works of Intimate Scale by 26 Colorists, Kingsborough Community College, Brooklyn, NY
Bound by Paper – Books, LMAK Gallery, New York, NY, US
Painting is Dead – Long Live Painting, curated by Jackie Herbst, CCA Andratx, Andratx Illes Balears, ES
Man Alive!, group-show curated by Wendy White, Jablonka Maruani Mercier Gallery, Brussels, BE
The State of New York Painting: Works of Intimate Scale by 26 Colorists, group-show at Kingsborough Community College, Brooklyn, NY, US
We Might Not Have a Planet Left Soon, Galerie Kornfeld, Berlin, DE
2016
Painting Is Dead – Long Live Painting, CCA Andratx, Andratx, ES
Representing Rainbows, GP Presents, New York, NY, US
Fort Greene, Venus, Los Angeles, CA, US
2013
Monika Grzymala & Joanne Greenbaum, Crone Gallery, Berlin, Germany
Polychrome Fiction – Joanne Greenbaum & Jackie Saccoccio, Nerman Museum of Contemporary Art, Overland Park, KS, USA
Jennifer Steinkamp / Joanne Greenbaum, greengrassi, London, UK
Joanne Greenbaum/Steven Parrino, Kerry Schuss, New York, US
Lines and Spaces, University of Hartford Joseloff Gallery, US, curated by John Yau
Solid Pull, TSA, Brooklyn, NY, curated by Caroline Snata and Rachael Gorchov
Jew York, Zach Feuer Gallery, New York
Work, Klaus von Nichtssagend Gallery, New York, organised by Sarah Greenberger Rafferty
Joanne Greenbaum/Katharina Grosse/Chris Martin, Journal Gallery, Brooklyn, New York
Swing State, Pop-Up Location, New York, curated by Jane Kim
Extreme Drawing, The Aldrich Contemporary Art Museum, Ridgefield, USA
Untitled (Hybrid) Lee Krasner, Robert Miller Gallery, New York, curated by Kate McNamara
2012
Juwelen im Rheingold, Kunsthalle Düsseldorf, Düsseldorf, Germany
SIMPATICO, Boston University Art Gallery at the Stone Gallery, Boston
The Excluded Middle, curated by Jamillah James, Nudashank, Baltimore
UP DO, Jeff Bailey Gallery, New York
Mythografia, Bull and Ram Gallery, New York
Broken/Window/Plane, curated by John Yau, Tracey Williams, New York
Tops, President Clinton Projects, curated by Sun You, Brooklyn, New York
Special Blend, curated by Chris Martin and Tamara Gonzales, Journal Gallery, Williamsburg,
Brooklyn, New York
2011
A Supposedly Fun Thing I’ll Never Do Again, Horton Gallery, Berlin
Magic Hand!, Art Blog Art Blog, New York, curated by Joshua Abelow

The Acquisition Selection 2011, Art Institute of Chicago, Chicago
Affinities: Painting in Abstraction, D’Amelio Terras, New York, curated by Kate McNamara
New Prints 2011/Summer, International Print Center of New York, New York
A Painting Show, Harris Liberman, New York
Cries and Whispers, Sam Lee Gallery, Los Angeles, curated by Paul Evans
Vollendet das ewige Werk, Sammlung Rheingold at Schloss Dyck, Jüchen, Germany
2010
Drawing, Shane Campbell Gallery, Chicago, IL
The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore
College, Saratoga Springs
Emerging Images: The Creative Process in Prints, International Print Center New York, New
York
complete concrete, Haus Konstrukiv, Zürich
Lush Life – Whistle, Sue Scott Gallery, New York, curated by Omar Lopez-Chahoud and
Franklin Evans
40, Texas Gallery, Houston
Compilation, Bernhard Knaus Fine Art, Frankfurt
2009
Das Gespinst, Museum Abteiberg, Mönchengladbach, Germany
Flugversuch mit Spurenkammer, Galerie Kienzle & Gmeiner, Berlin
Rupert Goldsworthy Gallery, Berlin
Women in Print, Susan Sheehan Gallery, New York
2008
Project For a New American Century, Rose Art Museum of Brandeis University, Waltham, USA
Under the Influence, Girl’s Club, Miami
New York Group Show, Seiler + Mosseri-Marlio Galerie, ZÜrich
Gray, Dinter Fine Art, New York, NY Scala Paradisi, Schuermann-berlin, Berlin
Object Salon, Honey Space, New York
Abstract America: New Paintings from the U.S., The Saatchi Gallery, London
2007
YÄQ, /La Planta_, Guadalajara, Mexico, curated by Michel Blancsube
abstract 2.0, FILIALE, Berlin
The Painting Show: Slipping Abstraction, Mead Gallery, Arts Centre, Warwick
Hot off the Press: Prints of 2006 from New York Printshops, The Grolier Club, New York
Automatons, Black Dragon Society, Los Angeles
Ashtray – Joanne Greenbaum, Ray Hamilton, Matthew Higgs and ashtrays, KS Art, New York
Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit
The Triumph of Painting, The Saatchi Gallery, London
Poets on Painters, Ulrich Museum of Art, Wichita, Kansas
Painting as Fact, Fact as Fiction, de Pury & Luxembourg, Zürich, curated by Bob Nickas
We Are Near, Allston Skirt Gallery, Boston, MA curated by Eddie Martinez
2006
Two Friends and So On, Andrew Kreps Gallery, New York
Drawing from the Wrong Side of the Brain, Haim Chanin Fine Arts, New York
Space Between the Spokes, KS Art, New York
2005
The Painted World, PS1/MOMA, New York, curated by Bob Nickas
Mud, Dinter Fine Art, New York
Glimpse, Mixed Greens, New York
In Deep Water, Dinter Fine Art, New York
The Generals Jamboree, Guild and Greyshkul, New York
One Armed Bandit, D’Amelio Terras, New York
2004
New Prints, Winter 2004, International Print Center, New York
Architecture Untethered, Numark Gallery, Washington, DC
Curious Crystals of Unusual Purity, PS1/MOMA, New York, curated by Bob Nickas
Abstraction with a Twist, Elga Wimmer, New York
Dessins et des Autres, Galerie Catherine Bastide, Brussels
Colored Pencil, K.S. Art, New York
Dessins et des Autres, Galerie Anne de Villepoix, Paris

2003
Stay Positive, Marella Arte Contemporanea, Milan
Skowhegan Faculty show, Instutute of Contemporary Art, Maine College of Art, Portland
Signs, Lines and Codes, Galerie Anne de Villepoix, Paris
Ballpoint Inklings, K.S. Art, New York
Crossings: Artists and Curatorial Practice, Artists Alliance, Inc. New York, curated by Anne Ellegood
New Prints Winter, 2003, International Print Center, New York
2002
Keine Kleingkeit (Not Really Small), Kunsthalle, Basel (cat.)
2001
Ball Point Inklings, Geoffrey Young Gallery, Great Barrington, USA
2000
Points, Lines, Planes, Les Filles du Calvaire, Brussels (cat.)
Bad Touch, Lump Gallery Projects, Raleigh, USA
Studio International, Paintings from the Ophiuchus Collection, The Hydra Workshop, Hydra, Greece
Warped: Painting and the Feminine, Angel Row Gallery, Nottingham, UK (cat.)
Mapping, Territory, Connections, Galerie Anne de Villepoix, Paris
Points, Lines, Planes, Les Filles du Calvaire, Paris (cat.)
Painting Function, Spaces Gallery, Cleveland, Ohio, curated by Saul Ostrow
Joanne Greenbaum, Charlene von Heyl, Amy Sillman, James Van Damme Gallery, Brussels
Examining Pictures, Armand Hammer Museum, UCLA, Los Angeles, curated by Francesco Bonami and Judith Nesbitt
1999
Examining Pictures, Museum of Contemporary Art, Chicago, curated by Francesco Bonami and Judith Nesbitt
Nacht Bild (After Image), Kunsthalle, Basel curated by Peter Packesch
Examining Pictures, Whitechapel Art Gallery, London, curated by Francesco Bonami and Judith Nesbitt
1997
Current Undercurrent, Brooklyn Museum, Brooklyn, New York
Painting Now and Forever, Part 1, Matthew Marks Gallery, New York
Exploiting the Abstract, Feigen Contemporary, New York
1996
Explosion in a Tool Factory, Hovel, New York
Un Oeil Americain, Galerie le Carre, Lilles, France
1995
Wacko, The Workspace Gallery, New York
Other Rooms, Ronald Feldman Gallery, New York
Natural, Arena Gallery, Brooklyn, New York
Jane Fine, Joanne Greenbaum, John Paul Philippe, Arena Gallery, Brooklyn, New York
Pleasant Pebble, The Workspace Gallery, New York
1994
New York Abstract Painting, Salvatore Ala Gallery, New York
1992
Vibology, White Columns, curated by Bill Arning

AUSWAHL BIBLIOGRAPHIE / SELECTED BIBLIOGRAPHY
2015
Walde, Von Gabriela. “Joanne Greenbaum’s Farbpinsel sind wie ein Wirbelwind.”Berliner Morgenpost, January 15, 2015.
2014
Sayej, Nadja. “Frank Wisdom: An Interview with Joanne Greenbaum.” Artslant, December 2014.
Garrett, Ashley. “A Conversation with Joanne Greenbaum.” FIGURE/GROUND, May 15, 2014.
Waltemath, Joan. “Joanne Greenbaum: Hallowed Laughter in a Hall of Mirrors.” The Brooklyn Rail, May 6, 2014.
Johnson, Ken. “Pluralism, WIth Bug Zappers and Doll People.” The New York Times, April 2014. April 3, 2014.
Yau, John. “Joanne Greenbaum’s Beautiful Monsters.” Hyperallergic, April 6, 2014.
Plagens, Peter. “Art Works by Katie Armstrong, Joanne Greenbaum and Brad Kahlamer.” The Wall Street Journal, April 11, 2014
Greenbaum, Joanne. “Verbatim: Joanne Greenbaum.” Art in America, April 14, 2014.
Rabarison, Karolle. “The Internet Is So Loud: Joanne Greenbaum.” The Morning News, April 21, 2014.
Waltemath, Joan. “Joanne Greenbaum: Hallowed Laughter in a Hall of Mirrors.” The Brooklyn Rail.
Smith, Roberta. “The Paintbrush in the Digital Era.” The New York Times, December 11, 2014

2013
Sigler, Jeremy. “Joanne Greenbaum.” BOMB Magazine, Issue 124/Summer 2013.
Holmes, Jessica. “Mushroom Hunter.” The Brooklyn Rail, July 15, 2013.
Thorson, Alice. “New York Artists bring a flair for color and drama to the Nerman Museum.” The Kansas City Star, August 10, 2013.
Smith, Lauren. “Joanne Greenbaum.” Nothing Major, September 17, 2013.
“Best Artists List for 2013: Whitehot Magazine Critic’s Picks.” White Hot Magazine, September 2013.
Hurst, Howard. “The New Old Logic of Abstraction.” Hyperallergic, October 23,
2013.
Grabner, Michelle. “My Highlights at NADA Miami Beach, 2013.” Artsy, December 2013.
BOMB magazine, Interview with Jeremy Sigler, Issue 124/Summer 2013
Contemporary Art Daily, February 26
2012
Joanne Greenbaum. Sidewalk Prison. Drawings & Paintings, 2012
Rhodes, David, Artforum.com, Critics Picks, October 2012
Fitzgerald, Ali, Lives and Works in Berlin; Portrait of Joanne Greenbaum in Berlin, Art21 Blog,
September 6, 2012
Yau, John, “Studio Visit with an Artist Who Is No Longer a Secret Ceramicist”, Hyperallergic, July 1, 2012
Valeria Napoleone’s Catalogue of Exquisite Recipes, Koenig Books, London, 2012
2011
Museum Haus Konstruktiv, Complete Concrete, Hatje Cantz
Yau, John, “Joanne Greenbaum: 1612”, The Brooklyn Rail, November 2, 2011, p. 48.
Fee, Brian, New American Paintings Blog, “Celebrating With Joanne Greenbaum”, November 10, 2011
DeJong, Caleb, Thoughts That Cure Radically, October 24, 2011
1612, Catalogue with interview by curator Marshall N. Price
“Interview with Joanne Greenbaum: The artist behind ‘The Whole Love’ album artwork” Wilcoworld.net, October, 2011
2010
Cotter, Holland. “Lower East Side Tale, Refracted Nine Times.” The New York Times, July 9, 2010, C21
Greenbaum, Joanne, Random Returns (self-published)
Schwabsky, Barry. “The Resistance of Painting.” The Nation, January 4, 2010, p. 34
2009
Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting. Phaidon Press, London,
pp. 122-125.
Smith, Roberta, The New York Times, “Art in Review”, September 18
Carlin, T.J., The Out New York, Studio Visit, September 9, p.46
The New Yorker, Goings on About Town, Joanne Greenbaum, September 28, 2009
Maine, Stephen, Art in America, November
Saatchi Gallery, London, Abstract America 1913. “Color System” and “Against Ekphrasis”. Issue 3,
1913 Press, pp. 167-172
2008
The Ganzfeld, “Joanne Greenbaum: A Portfolio and a Chat with Eddie Martinez and Dan Nadel,” Issue
no. 7, pp.180-193
Strauss, Dorthea and Suzanne Titz, Joanne Greenbaum: Painting, Hatje Cantz
Kunstforum International, “Joanne Greenbaum: Museum Abteiberg, Monchengladbach,” by
Helga Meister, July/August 2008, pg. 302 – 303
Artnet Magazine, “Basler Galerien Wahrend der Art 39 Basel,” by Ludwig Seyfarth, June 4
Artnet Magazine, “Scala Paradisi” Bei Shurmann Berlin, by Dominikus Muller, March 20, 2008
Wernebur, Brigitte, Monopol, “Museum Previews”, No3/08, pg 97
2007
Parkett, Joanne Greenbaum, by Lyle Rexer, Issue 80, October 2007, pp. 6-9
2006
The New Yorker, Review of Paintings, D’Amelio Terras, December 4-11, 2006
NYArts Magazine, Drawing on the Wrong Side of the Brain, by Yulia Tikhonova
Art on Paper, Exhibition Reviews, Drawing on the Wrong Side of the Brain, pp. 91/92
The New York Times, Critics Notebook, by Roberta Smith, July 28, 2006
2005
Basler Zeitung, Versch(r)obene Architektur, Joanne Greenbaum bei Nicolas Krupp, May 21
The New York Times, Review of Mud, Dinter Fine Art, September 23, 2005
The New York Times, Review of One Armed Bandit, D’Amelio Terras Gallery, January 21

2004
Art on Paper, New Prints Review, November/December 2004
Flash Art, Joanne Greenbaum at Boom, Michelle Grabner, July/September 2004 pp. 116-117
Art on Paper, July/August, 2004, Colored Pencil, Amanda Church p. 52
Art on Paper, January/February 2004, review by Joe Fyfe
2003
The Art Newspaper, No. 140 October 2003, by Adrian Dannatt
Artforum.com, Critics Picks, October 2003
Art on Paper, Working Proof: Print Reviews, March 2003, pp. 61
2002
Vitamin P, Phaidon Press, by Eric de Chassey, pp. 128-129
New Art Examiner, March 2002, review of Accumulations, by Douglas Max Utter
Art in America, Joanne Greenbaum at D’Amelio Terras, by Lyle Rexer, January 2002 pp. 106-107
2001
Zoo Magazine, Issue 10, Artists Interview, p. 279
The New York Times, Joanne Greenbaum at D’Amelio Terras, by Ken Johnson, April 20
New York Magazine, Construction Sites, April 23, 2001
Village Voice, Joanne Greenbaum at D’Amelio Terras, April 17, 2001
The Art Newspaper, Adrian Dannatt’s Guide to New York Contemporary Galleries, April
2000
The New York Times, Lori Taschler, Jeanne Tremel, AngelaWyman, May 12, E36
Fresh Cream, Contemporary Art in Culture, Phaidon Press, by Bice Curiger, pp. 310-315
Bomb Magazine, Joanne Greenbaum, by Mary Heilman, Spring 2000 pp. 103-105
Vivre Libre ou Mourir, Les Presses du Reel, pp. 124-125
1999
Tema Celeste, Le Persone Fanno Quadri per Provare Che Esistono, by Bob Nickas, April pp. 66-73
New Art Examiner, Joanne Greenbaum at D’Amelio Terras, March p. 58
1998
The New York Times, Art in Review, Joanne Greenbaum at D’Amelio Terras, by Holland Cotter, December 4, E36
1997
Artforum, Joanne Greenbaum at D’Amelio Terras. Ingrid Schaffner, November, pp. 116-117
The New York Times, Art in Review, Joanne Greenbaum at D’Amelio Terras, by Roberta Smith, March 14
Review, Joanne Greenbaum at D’Amelio Terras. by Dominique Nahas, March 1

TEACHING AND GUEST ARTIST POSITIONS
2006 Virginia Commonwealth University, Visiting/Associate Professor
University of Tennessee, Knoxville, Visiting Artist
2005 American University, Washington D.C. Visiting Critic
San Francisco Art Institute, Painting Intensive Faculty
2004 Art Institute of Chicago, Visiting Critic
Pratt Institute, Brooklyn, New York, Visiting Artist
2003 Rhode Island School of Design, Painting Faculty
University of Illinois at Champagne/Urbana, Visiting Critic
Skowhegan School of Painting and Sculpture, Faculty and Resident Artist
Tyler School of Art, Philadelphia, Pa. Guest Artist
2002 Maine College of Art, Graduate Advisor
Hofstra University, Adjunct Faculty, Painting and Drawing
Art Institute of Chicago, Guest Artist
2001 School of Visual Arts, New York, N.Y. Adjunct Faculty
1999 Maryland Institute College of Art, Graduate School, Guest Artist Pratt Institute, Brooklyn, New York, Guest Artist

ÖFFENTLICHE SAMMLUNGEN / PUBLIC COLLECTIONS
Nerman Museum of Contemporary Art, Overland Park, KS
Herbert F. Johnson Museum of Art, Cornell University, Ithaca NY
Museum Abteiberg, Mönchengladbach, Germany
Haus Konstruktiv Museum, Zürich, Switzerland
Rose Art Museum, Brandeis University, Waltham, MA
CCA Andratx, Mallorca, Spain