WENDY WHITE
KELLY GIRL
8 SEPTEMBER – 4 NOVEMBER 2017

Wendy White, American Dirt Effect (5-hour-Energy), 2017<br>denim, bleach and acrylic on canvas, UV print on plexiglas, 61 x 50,8 cm, Courtesy VAN HORN, DüsseldorfWendy White, Kelly Girl, installation view VAN HORN, Düsseldorf 2017Wendy White, Janet Guthrie, 2017<br>inkjet & acrylic on canvas, dibond, 183 x 153 cm, installation view VAN HORN, DüsseldorfWendy White, Lella Lombardi, 2017<br>inkjet & acrylic on canvas, dibond, 152,4 x 182,9 cm, installation view VAN HORN, DüsseldorfWendy White, Racing Heart (K & N), 2017<br>installation view VAN HORN, Düsseldorf Wendy White, Kelly Girl, 2017<br>installation view VAN HORN, DüsseldorfWendy White, Kelly Girl, 2017<br>installation view VAN HORN, DüsseldorfWendy White, Michèle et Francoise, 2017<br>Xerox transfer, acrylic on canvas, 27,9 x 35,6 cm, Courtesy VAN HORN, DüsseldorfWendy White, Kelly Girl, 2017<br>installation view VAN HORN, DüsseldorfWendy White, Racing Heart (Sunoco), 2017<br>Dibond sticker, 61 x 66 cm, Courtesy VAN HORN, Düsseldorf Wendy White, Michèle Mouton, 2017<br>xerox tranfer, acrylic on canvas, 35,6 x 27,9 cm, Courtesy VAN HORN, DüsseldorfWendy White, Kelly Girl, 2017<br>installation view VAN HORN, DüsseldorfWendy White, Kelly Girl, 2017<br>installation view VAN HORN, DüsseldorfWendy White, Kelly Girl, 2017<br>installation view VAN HORN, DüsseldorfWendy White; Amercian Dirt Effect (Heart Tondo), 2017<br>denim, bleach & acrylic on canvas, 50,8 x 50,8 cm, Courtesy VAN HORN, DüsseldorfWendy White, American Bleach Effect (Green Tondo), 2017<br>denim, bleach & acrylic on canvas, 61 x 50,8 cm, Courtesy VAN HORN, DüsseldorfWendy White, American Dirt Effect (rain cloud), 2017<br>installation view VAN HORN, DüsseldorfWendy White, American Dirt Effect (purple tondo), 2017<br>denim, bleach & acrylic on canvas, 61 x 50,8 cm, Courtesy VAN HORN, DüsseldorfWendy White, American Dirt Effect (Camel Tondo), 2017<br>denim, bleach & acrylic on canvas, UV print on Plexiglas, 50,8 x 50,8 cm, Courtesy VAN HORN, DüsseldorfWendy White, Janet Guthrie (blue, yellow), 2017<br>xerox tranfer, acrylic on canvas, 35,6 x 27,9 cm, Courtesy VAN HORN, Düsseldorf

We are delighted to show Wendy White in her third solo exhibition at VAN HORN

Kelly Girl examines the historical trajectory of women athletes in professional auto racing. The exhibition will comprise three new Portrait paintings, a selection of tondos and two wall-mounted sculptures.

The Portraits combine inkjet prints, airbrushed acrylic, and custom corner sculptures. They feature three female drivers in the prime of their careers: the American Janet Guthrie, who was trained as an astrophysicist and was the first woman to qualify and complete in both the Indianapolis 500 and the Daytona 500; Divina Galica, who was an Olympic skier for Great Britain before becoming a Formula One racer; and Lella Lombardi, born in Italy, who was the only female Formula One driver with a top-six finish in a World Championship race.

Resistance from male racers and male-dominated sponsors made securing adequate funding nearly impossible for women, who were thus forced to leave the sport for financial reasons rather than lack of talent. This exhibition celebrates their achievement and casts a light on the gender barrier that continues to hold women back in racing and other arenas.

Kelly Services was as an American post-war temporary staffing service. The term “Kelly Girl” (and later, “Gal Friday”), became household terms to describe women workers who typically provided typing services to male-run businesses. As well as providing secretarial support, Kelly Girl became a primary sponsor for racers such as Guthrie, proving that Kelly Girls weren’t merely there to assist with the filing. The spirit of independence and determination defined by racers like Guthrie, Galica and Lombardi inspires this show.

Wendy White, *1971, lives and works in NYC. She exhibited widely in the US and abroad. Exhibitions include The Museum of Fine Arts, Gifu, JP; LACMA, Los Angeles; Fine Arts Center Gallery, University of Arkansas; Urban Institute for Contemporary Arts, Grand Rapids, MI; County Gallery, Palm Beach, FL; The Royal Swedish Academy of Fine Arts, Stockholm SE; Oakland University Art Gallery; Indianapolis Museum of Contemporary Art; Bemis Center for Contemporary Arts, Omaha, NE; CCA Andratx and Atlanta Contemporary Art Center a.o. Her works is included in the collections of the Museum of Art, Rhode Island School of Design, Providence, RI; Southern Poverty Law Center, Montgomery, AL; Taguchi Art Collection, Japan; Progressive Art Collection, USA; UBS Art Collection, Zurich; Savannah College of Art & Design, USA; ARCO Foundation, Madrid; Tulip Collection, London, UK; Saks Fifth Avenue, USA; Red Bull North America; Jimenez-Colon Collection, PR; Art Museum at the University of Kentucky, USA; High Museum of Art, Atlanta, USA a.o.